The other day I had a chance to check out the African Renaissance statue here in Dakar. It was only unveiled two months ago, to celebrate the country’s 50th anniversary of independence from French colonial rule, on top of a huge hill on the edge of the city overlooking the ocean. The statue shows a man, woman and child emerging from a volcano-type thing.
Because it’s still so new, I’ve heard tons about it from people around town. Not to mention it’s HUGE, bigger than the Statue of Liberty, so it’s hard to ignore. Anyway, there’s a lot to be said about it.
Keep in mind, all of this reflects what I picked up from people around the city and in my neighborhood and it obviously isn’t how everyone feels. But I started to hear the same sort of stuff from a lot of them...
For the most part, it’s been pretty controversial. For one, people complain how the gov’t spent $28 million on it. Its true, there are bigger fish to fry here in Senegal – like unemployment (which I’ve heard is well above 50%), social services, etc… Also, the woman is showing some serious skin which frustrates a lot of the Muslim community in Dakar who prefer to keep their women more…clothed?
People’s biggest beef with it, however, is how much it idolizes the West – the direction in which all three of the statue’s characters are pointing. I’ve even heard some people complain that the idea of having an enormous statue alone is “too western” for Africa. Not to mention the word “renaissance” directly refers to a period in European history. So, not only does the statue’s name echo a culture’s history that isn’t their own, it echoes that of their old colonizers.
Recently in 2007, Nicolas Sarkozy, the President of France, gave a speech in Dakar in which he gave a call-to-action to Africa to develop itself – like no one’s been trying. In the speech, he kept encouraging the continent to “start a Renaissance” and to “finally enter human history.” Considering the sordid history between Senegal and France, he should have known to be more careful with his words and that the speech would be seen as terribly offensive. A lot of people over here openly hate the guy for his indifferent attitude toward Senegal, their old colony, a country that could really use the help.
Even though Sarkozy didn’t invent the term, this famous “pep talk” is how a lot of people became familiar with it, which he repeats throughout the speech about a dozen times. There’s a famous response by Boubacar Boris Diop, a famous Senegalese writer/intellectual, to Sarkozy’s speech. Check it out: http://www.zeleza.com/blogging/african-affairs/nicholas-sarkozy-s-unacceptable-speech-boubacar-boris-diop-trans-french-wan
At the same time, the President of Senegal, Abdoulaye Wade, is kind of a western “fan” and, against what seems like what most people around here want, has done a lot of things to help Senegal westernize (he’s pushing hard to rename Africa the “United States of Africa”). So a lot of people weren’t completely surprised that this would come from him. (is it important to mention that President Wade made sure that Jesse Jackson and AKON (hahahaha) were present for the monument’s inauguration?)
Cool post, Mack.
RépondreSupprimerMonuments are always interesting, especially when they are political in nature.
There are many statues in China that romanticize communist ideals, one of which reminds me of African Renaissance: rather than depicting a family as African Renaissance has, a statue just outside of The Forbidden City depicted (subtly) the different social classes (or different workers) moving upward and (presumably) forward together.
The monument (not sure of the name) shares many geometric motifs with African Renaissance. Here is a picture of the Chinese statue that African Renaissance reminds me of:
http://images.travelpod.com/users/jamemorg/1.1224235440.peoplexs-movement-statue.jpg
A big concern in China was, as you probably already know, the government has whitewashed many of the attrocities they've committed against their own people. Some people would argue that those who were victims of their government deserve a monument more-so than the political ideals of the region do.
I think that's why I like monuments that are built for the sake of art rather than those that celebrate politics: they seem more honest and I think more people enjoy them.
Anyways, I have no point to make, other than to say very cool and detailed post. I especially like the bit about Luke Skywalker.
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